Études anglaises - N°2/2016

Performance studies

Études anglaises - N°2/2016

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Présentation

Articles


VIRGINIE MAGNAT
Decolonizing Performance Research

DIANA TAYLOR
Saving the "Live"? Re-performance and Intangible Cultural Heritage

SAINI MANNINEN
"In theatre, as in love, the subject is disappearance"; On Absence and Archival Logic in Performance

XAVIER LEMOINE
Performing Black Queerness in the U.S. South: Ethnographic Performance and the Blurring of Presence in E.P. Johnson's Sweet Tea

MARIE PECORARI
Making up (for) the Great Man: Impersonation and Cosmetics in Suzan-Lori Parks's Topdog/Underdog


Étude critique

RICHARD ANKER
Remembering Geoffrey Hartman and Wordsworth's Poetry

Consulter la table des matières

Sommaire / Guest editor: Marie Pecorari


Marie PECORARI : Foreword 
ARTICLES Virginie MAGNAT : Decolonizing Performance Research
Diana TAYLOR : Saving the "Live"? Re-performance and Intangible Cultural Heritage
Saini MANNINEN : "In theatre, as in love, the subject is disappearance"; On Absence and Archival Logic in Performance
Xavier LEMOINE : Performing Black Queerness in the U.S. South: Ethnographic Performance and the Blurring of Presence in E.P. Johnson's Sweet Tea
Marie PECORARI : Making up (for) the Great Man: Impersonation and Cosmetics in Suzan-Lori Parks's Topdog/Underdog  


ÉTUDE CRITIQUE : Richard ANKER : Remembering Geoffrey Hartman and Words worth's Poetry