Études anglaises - N°4/2017

Études anglaises - N°4/2017

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Présentation

Isabelle GADOIN : What is a Collector? From the Giants of Collecting to Small Amateurs: their Respective Contributions to Victorian Collections of Islamic Art
Françoise BAILLET : Drawing the Line. Visual Representations of the Labouring and Lower Classes in the Mid-Victorian Illustrated Press
Benjamine TOUSSAINT : Location and dis-location in George Douglas Brown’s The House with the Green Shutters
Marie-Odile PITTIN-HÉDON : “Portals to the non-space of globalisation”: Ewan Morrison’s Tales from the Mall
Isabelle KELLER-PRIVAT : Jon McGregor’s Negative Space in If Nobody Speaks of Remarkable Things
Anthony CORDINGLEY : Autotraduire son moi : Birds of Passage de Brian Castro
Robert L. SNYDER : Contextualizing Adam Hall’s Fiction: Liminality, Nihilism, and Pathogenic History in The Quiller Memorandum

Consulter la table des matières

Isabelle GADOIN : What is a Collector? From the Giants of Collecting to Small Amateurs: their Respective Contributions to Victorian Collections of Islamic Art
Françoise BAILLET : Drawing the Line. Visual Representations of the Labouring and Lower Classes in the Mid-Victorian Illustrated Press
Benjamine TOUSSAINT : Location and dis-location in George Douglas Brown’s The House with the Green Shutters
Marie-Odile PITTIN-HÉDON : “Portals to the non-space of globalisation”: Ewan Morrison’s Tales from the Mall
Isabelle KELLER-PRIVAT : Jon McGregor’s Negative Space in If Nobody Speaks of Remarkable Things
Anthony CORDINGLEY : Autotraduire son moi : Birds of Passage de Brian Castro
Robert L. SNYDER : Contextualizing Adam Hall’s Fiction: Liminality, Nihilism, and Pathogenic History in The Quiller Memorandum